1970s twisted & ribbed padlock

1970s twisted & ribbed padlock

€1.600,00

Latest drop

1970s twisted & ribbed padlock

€1.600,00

A lock with a bit of theatre to it. The top is worked in a twisted rope design, the base finished with horizontal ribbing, and the whole thing opens with a proper mechanism, a press at the bottom pops the shackle free. Padlocks have carried the idea of devotion since Victorian times, when they were given and worn as tokens of a bond meant to hold. This one keeps that tradition going with real 1970s craftsmanship, solid and satisfying to open and close, not just decorative. The piece is hallmarked 9kt gold, London, 1977 and bears the maker's mark for Kurt Weiss Ltd.

1970s twisted & ribbed padlock
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Looking through the LOUPE

MATERIALS

Gold

AGE

1977

SIZE

3.3cm L x 2.2cm W

WEIGHT

11.2 g

MARKS

London. 375 for 9kt gold 375/1000. Date letter for 1977. Maker's mark for Kurt Weiss Ltd.
1970s twisted & ribbed padlock

United Kingdom / 1940s - 1970s

Kurt Weiss

Kurt Weiss Ltd jewellery did not burst onto the scene, nor did the firm ever become a household name. But for those who were in the London jewellery industry between the 1940s and 1970s, they were well distinguished and respected. Praised for what would now be categorised as "quiet luxury" items, Weiss focused on precision craftsmanship. Think invisible hinges, gold rope work, flawless mechanisms and classic design. Items most notably created by Weiss include cigarette cases, powder boxes, cufflinks and padlocks.

The attention to detail shown by the workshops of Weiss won them the recognition of working for Cartier London in the 1970s on gold padlocks used within their collection. Weiss also created a small number of these padlocks with his maker's mark.

1970 - 1979

Seventies

A time of awakening, the 1970s set about rebuilding a new world. Social and political upheaval reshaped beliefs, policy, and power. The cost of the Vietnam War, the fight for women’s rights, and escalating tensions in Northern Ireland marked defining moments of the era. Activism, both environmental and political, filtered into culture, bringing with it a rejection of the overly delicate, feminine designs that had dominated previous decades.

Yellow gold returned with confidence, all warmth and attitude, breaking from the cool restraint of platinum and white gold. Bold, tactile, and unapologetically visible, it came to define what is often called the Golden Age of Jewellery. 

Scale shifted and design followed. Cocktail rings became oversized and deliberate, set with saturated, jewel-toned gemstones chosen for impact rather than convention. Turquoise, amber, and coral introduced a freer, more instinctive kind of luxury, while textured finishes replaced high polish, giving gold a raw, organic edge.

This was jewellery with presence, designed to be seen. By night, it came alive under disco lights, where gold chains, diamond chokers, and sculptural silver caught every flicker of movement. Nothing was subtle. Everything was intentional.

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