Magnified close-up of five graduating Old Mine cut diamonds in stylised claw settings on an antique five-stone diamond ring.

Antique diamond five stone ring

€1.290,00

Latest drop

Antique diamond five stone ring

€1.290,00

Five graduating Old Mine cut diamonds, set in stylised claw settings that let plenty of light reach each stone. Old Mine cut is itself a mark of age, cut by hand before the precision of modern faceting existed, giving each diamond a warmer, softer sparkle than anything cut today. The profile is worked in pierced openwork, and the shoulders trumpet outward, carried by intricate carved scrollwork that curves and unfurls along the band. The inside of the shank is marked 18CT for 18kt gold. Total approximate diamond weight 0.15cts.

Magnified close-up of five graduating Old Mine cut diamonds in stylised claw settings on an antique five-stone diamond ring.
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Looking through the LOUPE

MATERIALS

Diamond, gold

AGE

c.1890

SIZE

UK: R / US: 8.5

WEIGHT

3.04 g

MARKS

Marked 18CT
Antique diamond five stone ring

1837 — 1901

Victorian

If the Victorians were alive today, they would be fervent collectors. In many ways, the nineteenth century perfected the art of collecting. From fossils and postage stamps to taxidermy and even human hair, the Victorian appetite for objects of fascination was insatiable. Collecting was not simply a pastime but a reflection of curiosity, sentiment, and status.

The Grand Tour, a cultural excursion across Europe undertaken by wealthy young men and women, encouraged the acquisition of meaningful souvenirs. Jewellery became one of the most treasured mementoes, often unique to the cities visited. Travellers returned with Swiss porcelain brooches, lava cameo earrings from Pompeii, gold bangles from Paris, and micromosaic necklaces from Florence. Each piece carried both aesthetic appeal and the memory of place.

Queen Victoria herself was an avid collector and an influential tastemaker. Jewels commissioned by her or by Prince Albert frequently set new trends. During her visits to Balmoral, she developed a deep affection for Scotland, popularising jewellery set with Highland agates in distinctive Scottish designs. Sentimental tokens often meant more to her than state regalia. Ornate yellow gold settings housed sapphires, rubies, emeralds, and amethysts, while turquoise, demantoid garnet, and pearls added rich and vivid contrast.



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