Antique Sterling silver Cleopatra collar necklace worn on the neck with articulated palm leaf fringe design – Auric Vintage

Antique palm leaf Cleopatra collar

€390,00

Latest drop

Antique palm leaf Cleopatra collar

€390,00

Antique palm leaf Cleopatra collar necklace in Sterling silver. Horizontal ribbed battons suspend fixed palm leaf fronds, each batton connected by an open loop and decorated with a spherical terminal. Designed to sit on the collarbone to highlight the décolletage. Fitted with a push clasp mechanism and tested Sterling silver. 

Antique Sterling silver Cleopatra collar necklace worn on the neck with articulated palm leaf fringe design – Auric Vintage
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Looking through the LOUPE

MATERIALS

Silver

AGE

c.1890

CONDITION

Over 100 years old, this piece shows signs of careful wear and has undergone sympathetic repairs during its lifetime. Its condition is entirely consistent with its age and reflects the character and history of an antique jewel.

SIZE

44cm L x 2.3cm W

WEIGHT

35.24 g
Antique palm leaf Cleopatra collar

Many believe that Egyptomania began with Howard Carter's discovery of Tutankhamun's tomb in 1922. Although this event had a profound impact on the world's fascination with Ancient Egypt, it was by no means the beginning.

Ancient Egyptian civilization spanned more than 3,000 years. Even rulers such as Cleopatra looked back to the achievements of their forebears, studying and celebrating the beauty and aesthetics of Egypt's ancient past.

For the Western world, figures such as Napoleon brought war to the deserts of Egypt, returning home not only with stories but also with ancient artefacts. In the Victorian era, the opening of the Suez Canal encouraged greater travel and exploration, attracting Grand Tour travellers who were often all too willing to take archaeological artefacts as souvenirs. Those who did not remove antiquities found inspiration instead, creating art, fashion, sculpture, architecture, music, and jewellery influenced by Egypt's rich cultural heritage.

Ancient gods and goddesses were reimagined, Egyptian flora and fauna inspired dazzling decorative patterns, the once-lost language of hieroglyphs was deciphered, and jewels once worn by the pharaohs themselves were reinterpreted in spectacular new designs.

EGYPTOMANIA

1837 — 1901

Victorian

If the Victorians were alive today, they would be fervent collectors. In many ways, the nineteenth century perfected the art of collecting. From fossils and postage stamps to taxidermy and even human hair, the Victorian appetite for objects of fascination was insatiable. Collecting was not simply a pastime but a reflection of curiosity, sentiment, and status.

The Grand Tour, a cultural excursion across Europe undertaken by wealthy young men and women, encouraged the acquisition of meaningful souvenirs. Jewellery became one of the most treasured mementoes, often unique to the cities visited. Travellers returned with Swiss porcelain brooches, lava cameo earrings from Pompeii, gold bangles from Paris, and micromosaic necklaces from Florence. Each piece carried both aesthetic appeal and the memory of place.

Queen Victoria herself was an avid collector and an influential tastemaker. Jewels commissioned by her or by Prince Albert frequently set new trends. During her visits to Balmoral, she developed a deep affection for Scotland, popularising jewellery set with Highland agates in distinctive Scottish designs. Sentimental tokens often meant more to her than state regalia. Ornate yellow gold settings housed sapphires, rubies, emeralds, and amethysts, while turquoise, demantoid garnet, and pearls added rich and vivid contrast.



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