Vintage Must de Cartier Le Scarabée silk scarf in light green featuring Egyptomania-inspired design, hanging display – Auric Vintage

Must de Cartier Le Scarabée scarf in light green

€295,00

Latest drop

Must de Cartier Le Scarabée scarf in light green

€295,00

Must de Cartier Le Scarabée scarf in light green. Drawing inspiration from the fascination with Ancient Egypt that swept Europe following the discovery of Tutankhamun's tomb in 1922, Cartier created some of the Maison's most celebrated Art Deco jewels. Le Scarabée pays tribute to this remarkable period, featuring three iconic Cartier creations: the Egyptian Pendant (1913), the Scarab Brooch (1924), and the Sphinx Brooch (1925).

The design is framed by lotus flowers and sphinxes, while scarabs emerge from the centre, echoing the motifs that captivated Cartier's designers and defined the era's distinctive aesthetic. An elegant celebration of Egyptomania and the enduring artistry of one of the world's great jewellery houses.

Vintage Must de Cartier Le Scarabée silk scarf in light green featuring Egyptomania-inspired design, hanging display – Auric Vintage
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Looking through the LOUPE

MATERIALS

Silk

AGE

c.1990

CONDITION

Vintage, very good with light wear consistent with age. Accompanied by authenticity card

SIZE

90cm x 90cm

MARKS

Original tag, Made in Italy, 100% Silk, Dry clean only
Must de Cartier Le Scarabée scarf in light green

Many believe that Egyptomania began with Howard Carter's discovery of Tutankhamun's tomb in 1922. Although this event had a profound impact on the world's fascination with Ancient Egypt, it was by no means the beginning.

Ancient Egyptian civilization spanned more than 3,000 years. Even rulers such as Cleopatra looked back to the achievements of their forebears, studying and celebrating the beauty and aesthetics of Egypt's ancient past.

For the Western world, figures such as Napoleon brought war to the deserts of Egypt, returning home not only with stories but also with ancient artefacts. In the Victorian era, the opening of the Suez Canal encouraged greater travel and exploration, attracting Grand Tour travellers who were often all too willing to take archaeological artefacts as souvenirs. Those who did not remove antiquities found inspiration instead, creating art, fashion, sculpture, architecture, music, and jewellery influenced by Egypt's rich cultural heritage.

Ancient gods and goddesses were reimagined, Egyptian flora and fauna inspired dazzling decorative patterns, the once-lost language of hieroglyphs was deciphered, and jewels once worn by the pharaohs themselves were reinterpreted in spectacular new designs.

EGYPTOMANIA

1972 - 2000s

Must de Cartier

Le Must de Cartier was born from a simple idea: that the objects we carry every day should possess the same beauty and intention as the jewels we treasure. Introduced in the 1970s, the collection marked a new chapter for the Parisian Maison, translating Cartier's century of artistry into silk scarves, leather goods, writing instruments, and objets d'art that could accompany the rituals of daily life.

The name itself is telling. In French, le must suggests something indispensable, a thing of such enduring appeal that it becomes essential. Rich with the House's recurring motifs, from heraldic emblems and exotic fauna to tales of exploration and romance, each piece reflects Cartier's fascination with history, travel, and the decorative arts.

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1990 -1999

Nineties

Remember when there was no internet connection? Paparazzi ran wild, capturing every angle of your favourite fashion icons. And the rules? There were none. You could be minimalist, grunge, hip-hop, rave, or goth. Each subculture had its own style, its own presence on the runway, and its own defining figures. Jewellery was no exception. Designs in both white and yellow metals were used to accessorise completely different aesthetics.

From barely-there pieces like fine chains, pendants, and micro huggies, as seen on Carolyn Bessette, to chunky gold creole hoops worn by R&B songstresses, the spectrum was wide. Diamonds moved out of formality and into everyday wear, while logo pieces, nameplates, and statement pendants added a sense of identity and status. At the same time, silver jewellery, chokers, and darker, more industrial designs defined grunge and goth aesthetics, while rave culture introduced playful, synthetic materials designed for movement and light.

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