Vintage silver charm bracelet with Swiss half-franc coins and bolt ring clasp – Auric Vintage

Sixties Swiss half-Franc coin bracelet

€335,00

Latest drop

Sixties Swiss half-Franc coin bracelet

€335,00

Vintage silver charm bracelet suspending sixteen Swiss half-franc coins from years 1946, 1958, 1951, 1956, 1957, 1948, 1959, 1962, 1960, 1963, 1921, 1950, 1945, 1951, 1964, 1943. Struck in 83.5% silver and featuring the enduring Standing Helvetia design, each coin offers a glimpse into Switzerland's twentieth-century history. Carefully linked to create a wearable keepsake, the bracelet combines numismatic charm with timeless design. Fitted with a bolt ring closure. Measuring approximately 17cm in length.

Vintage silver charm bracelet with Swiss half-franc coins and bolt ring clasp – Auric Vintage
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Looking through the LOUPE

MATERIALS

Silver

AGE

c.1960

SIZE

Measuring 17cm

WEIGHT

47.8 g
Sixties Swiss half-Franc coin bracelet

The coin's design features standing Helvetia holding a spear and shield bearing the Swiss cross within a border of twenty-two stars, representing the cantons of the Swiss Confederation, with an oak leaf and alpine rose wreath encircling the denomination and the date to the reverse.

Diameter: 18.2mm
Thickness: 1.28 mm
Weight: 2.5 g
Composition:  83.5% silver, 16.5% copper
Edge: Reeded (milled)
Circulation: 1875-1967

Swiss silver half franc

1875-1967

1960 - 1969

Sixties

It was clear from the beginning of the decade that times were about to change. The kids of the sixties didn’t ease into it, they kicked the door open. Youth culture took control, rules were rewritten, and tradition quickly lost its grip. The space race, pop art, and a new kind of self-expression reshaped everything, including how jewellery was worn.

To accompany this shift, design loosened up. It became graphic, bold, and a little rebellious. Clean lines replaced fuss, colour replaced convention, and jewellery stopped trying to behave. Pieces turned sculptural, almost futuristic, with domed silhouettes, sharp geometry, and unexpected textures. Diamonds were still in the mix, but no longer the main event. Enamel, onyx, and rock crystal brought contrast, punch, and a sense of play.

A myriad of subcultures began to emerge. Mods favoured sharp, polished minimalism, while hippies rejected structure entirely, embracing natural materials and a freer, more intuitive aesthetic. Preppy style held onto a sense of tradition, but with a lighter, more youthful ease. By the end of the decade, early punk attitudes were beginning to surface, bringing a raw, anti-establishment edge that would fully erupt in the years to follow.

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